Monthly Archives: March 2015

Insomnia

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Fabric, plastic sheet, polyester wadding, rope, PVC pipe, food colouring solution, wood, alarm clock

As much as it feels like a state of the mind, sleeplessness is a physical condition, a malfunction of the brain. Insomnia gives you a lot of time to think – of your insomnia among (endless) other things. The paradox is, that the grave anxieties which cause insomnia more often than not manifest themselves in trivial thoughts that roam in your head while you are tossing and turning in the dark.

Using trivial materials found in the drawers, cabinets, and the garden of my home and studio – the spaces I inhabit physically during the day, I have created an object which is a material embodiment of my insomniac mind. Assembling this entanglement felt like I was holding my thoughts in my hands. Weird, but fun.

Insomnia was included in Nocturnes, a group art show which I curated in The Grand Gallery in Freeport, Grand Bahama. Here are a couple of other images showing “the thing”:

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Photography: Christine Matthai

Self Portrait in REM

Self Portrait in REM Boryana

This is one of two pieces which were included in Nocturnes, a group art show which I curated here in Freeport.  Nocturnes opening was last night and generated a lot of interest. I am preparing a full case study of the experience, which will be published here in due course.

The piece is titled Self Portrait in REM and is executed in acrylic on paper. My amateurish photograph doesn’t do it full justice, but you can get the idea.

Rapid eye movement sleep, or REM, is one of the five stages of sleep that most people experience nightly. It is characterized by quick, random movements of the eyes and paralysis of the muscles. It’s during this stage of sleep that most people are able to have especially vivid dreams.

While most of us see dreams when sleeping, I have visions from my disturbed nights when I am awake. This image must have been one of them.  It came about spontaneously, in the midst of other things. The idea for Nocturnes was already brewing in my mind so it must have had something to do with it.

Rapid eye movement also alludes to the rapid movement of the hand while creating this entirely gestural piece. Gestural painting is possible only when one is deep ‘in the zone’ – a state of mind  as far from awareness as only sleep could be.  Maybe for this reason, even in retrospective, it is impossible for me to differentiate between intention and accident in the content and form of this piece, including its title.